Details:
On the evening of Saturday, July 20th, proudly featured collaborations between VR/AI/moving image artist Krista Faist and the Licata/Miller duo, comprised of Julie Licata and Caleb Miller, and the Cox/Putnam duo, comprised of Gerard Cox and Aaron Putnam.
Our 2024 artist-in-residence program is supported by the mediaThe Foundation, the Greater Columbus Arts Council, Columbus City Council, Columbus Mayor, and Franklin County Commissioners.
About the artists:
VR/AI/moving image artist Krista’s physical work is largely comprised of watercolor crayon and reductive wax paintings on decorative plate glass, as well as intricate sculptures made from found objects and junk store items. With both mediums, she has sought to represent aesthetic over-stimulation that leads to expansiveness of imagination and wonder, much like that experienced in childhood when one visits a candy shop. As a child, she had a strong desire to see all colors and textures at once, including colors never seen before. With each project, she sets out to re-capture this feeling of simulated desire and satisfaction. She believes that this desire to satiate our hunger for wonderment with consumerist impulses is innately human, and her aim is to bring this incongruence to light via her immersive, audio reactive, and VR works.
Julie Licata (b. 1980 in Ashtabula, OH) is a percussionist/drummer, noisemaker, collaborator, and educator. Her performances range from improvisational soundscapes and works with computer processing, to solo marimba and percussion, chamber ensembles, orchestras, theater pits, Indonesian gamelan and West African drum ensembles. Julie recently accepted the position of Assistant Professor and Director of Percussion at Capital University in Columbus, Ohio. As a performer, Julie focuses on promoting emerging composers and seeking new modes of musical expression with particular emphasis on improvisation and the integration of live analog and digital electronics. She recently released an album, resound/unsound, with co-creators Andris Balins and Brett Masteller; the album features percussive improvisations with time lag accumulation, feedback looping, and modular synthesis. Within this musical realm, Julie has performed at the Society for Electro-Acoustic Music in the US, the International Computer Music Conference, CHIMEFest in Chicago, IL, and numerous new music venues across the US.
Caleb Miller is a keyboardist, saxophonist, composer and educator currently residing in Columbus, OH. His work mostly focuses on midwestern perspectives surrounding improvisational-based music and projects. In addition to his personally lead projects (Gault, pincer, Here Here & solo work) Caleb plays, writes and subs in many jazz-adjacent projects (Sun Trash, Yumbambe, Radarhill, Ryan Jewell Quintet, Troy Kunkler 4tet), songs-oriented groups (Zack Kouns and His Insatiable Orchestra, Confusions, Francis Bacon Band, Taylor K Conrad, Keating, Fables), contemporary classical settings (dance accompanist, classical pianist) and other settings (solo work, audio work, Very Much Recordings, music videos, album artwork, improvising/ creative ensembles). As output he is most interested in productions that show a true synthesis of perspectives, sounds, individuals and communities. Music and projects that truly strive for some form of “newness” regardless of the setting, people or situation. Simply stated things that try to be “their own” in some way or another. Caleb also currently operates the Columbus-based recording label Very Much Recordings and teaches in the American public (!) school system.
Gerard Cox is a pianist, trumpeter, and percussionist from Columbus with a keen interest in musical surrealism and the percussive nature of the piano. Born to a piano teacher Mom and a jazz saxophone hobbyist father, clear “rockstar” inclinations were shown at age 8 in an appearance as J.S. Bach at an OMTA music festival and at 10 as Billy Idol in a look-a-like contest for the national pop/rock magazine Star Hits. Cox developed a love for jazz in high school on through college, studying both jazz piano and B3 organ. While initially taken with the straight-ahead jazz of Art Blakey and Clifford Brown, he followed John Coltrane’s discography into his later period music and this proved to be the gateway for a fascination with free jazz and all kinds of other outsider/experimental music.