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X-WR-CALNAME:The Fuse Factory
X-ORIGINAL-URL:https://thefusefactory.org
X-WR-CALDESC:Events for The Fuse Factory
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TZID:America/New_York
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TZOFFSETFROM:-0500
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DTSTART:20180311T070000
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DTSTART:20181104T060000
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180406T200000
DTEND;TZID=America/New_York:20180406T230000
DTSTAMP:20260409T120551
CREATED:20200831T190818Z
LAST-MODIFIED:20200909T210307Z
UID:4270-1523044800-1523055600@thefusefactory.org
SUMMARY:April 2018 Frequency Fridays: Meg Mulhearn/Elisa Faires (NC) + Tim Kaiser (MN) + Jen Gelineau (MA) + Powers/Rolin (CMH)
DESCRIPTION:Our April 2018 Frequency Fridays show features experimental duo Meg Mulhearn (violin\, electronics) and Elisa Faires (voice\, electronics) (NC)\, experimental electronic musician/instrument maker Tim Kaiser (MN)\, experimental electronic musician Jen Gelineau (MA)\, and experimental electronic music duo Jen Powers and Matt Rolin (CMH). Date: Friday\, April 6 2018. Location: It Looks Like It’s Open (13 E. Tulane Rd.\, 43202). Admission: $10\, $15 for 2. Doors open 8pm. BYOB\, all ages. Our Frequency Fridays 2017-2018 season is supported by grants from the Greater Columbus Arts Council\, the Ohio Arts Council\, and the National Endowment for the Arts. \nAbout the performers:\nMeg Mulhearn is a composer who performs as a solo artist as Divine Circles and as a member of U.S. Christmas\, Judas Horse\, Lunar Creature\, and Void Ensemble. Music she has been involved with has been released by Neurot Recordings\, Relapse Records\, Paradigms Recordings\, Inherent Records\, and Hooker Vision\, among others. She has also composed strings for albums spanning many genres. She is also a former board member and current volunteer for Girls Rock Asheville. \nElisa Faires started singing and performing at the age of eight. She received an AFA in Music from Brevard and a BFA in Music from UNCA.In the past 7 years she has written\, directed and performed in her own musical and multimedia productions. She was the improvisational musician and pianist for the Asheville Playback Theater for many years. Currently she is musician and official composer for Legacy Butoh and Cilla Vee Life Arts dance and performing companies. This past year she was awarded a grant from Met Life Arts entitled Meet the Composer in which she gave a performance at the Black Mountain College Museum and Arts Center that followed a workshop where she taught creative composition\, sound and movement at UNCA. She had a music tour in Europe this past summer where she performed original compositions in Lunz\, Austria at the More Ohr Less Festival\, Berlin\, and in Budapest. \nTim Kaiser is well known in the atmospheric experimental music scene for his blending of acousto-electric contraptions and Frankenstein electronics to create ethereal\, layered drones. His sonic landscapes have been called “experiments in adventurous art” and “eclectic genius” by the likes of Make Magazine\, Wired\, the New Art Examiner and the Associated Press. Mr. Kaiser was featured on the PBS program MakeTV and has headlined numerous experimental music festivals in the US. \nJen Gelineau solo performances feature the amplified viola and violin\, along with electronics. In addition to being an educator\, she is co-curator of the improvisation festival XFEST in Holyoke and a member of several projects including Phurn\, Egg Eggs\, and Donkey No No.
URL:https://thefusefactory.org/event/april-2018-frequency-fridays/
LOCATION:The Fuse Factory Electronic and Digital Arts Lab\, 13 E. Tulane Rd.\, Columbus\, OH\, 43202\, United States
CATEGORIES:Frequency Fridays,Performance
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180407T100000
DTEND;TZID=America/New_York:20180407T130000
DTSTAMP:20260409T120551
CREATED:20200831T190818Z
LAST-MODIFIED:20200909T203016Z
UID:4271-1523095200-1523106000@thefusefactory.org
SUMMARY:Using Piezo-Electrics and Looping as Music Composition Tools
DESCRIPTION:About the workshop\nThe workshop will cover the use of piezo-electric transducers to capture sounds from traditional and non-traditional music sources\, including conventional acoustic musical instruments as well as found objects. Participants will learn how a piezo works and how to apply them. From there\, captured sounds will be manipulated into audio loops via hardware and software. These loops (sometimes called “stems”) will then be used to construct sonic layers. This layering technique is the basis for a variety of modern musical genre including drone\, noise wall and other experimental musical forms and types. \nEach participant will be given a piezo transducer to keep and will have access to numerous effect processors to learn the techniques. Participants are encouraged to bring their own effect pedals\, laptops\, tablets and production software\, though that is not a requirement. Related topics such as using an audio mixer\, multiple effects\, analog vs. digital techniques will be covered to a depth appropriate to the level of experience of those participating. \nParticipants do not require a professional musical background – they only need to be interested in expanding their knowledge of music and sonic arts. \nAbout the instructor\nTim Kaiser is well known in the atmospheric experimental music scene for his blending of acousto-electric contraptions and Frankenstein electronics to create ethereal\, layered drones. His sonic landscapes have been called “experiments in adventurous art” and “eclectic genius” by the likes of Make Magazine\, Wired\, the New Art Examiner and the Associated Press. Mr. Kaiser was featured on the PBS program MakeTV and has headlined numerous experimental music festivals in the US.
URL:https://thefusefactory.org/event/piezo-electrics-looping-music-composition-tools/
LOCATION:Filament\, 218 E McDowell St.\, Columbus\, OH\, 43215\, United States
CATEGORIES:Workshop
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180407T193000
DTEND;TZID=America/New_York:20180407T220000
DTSTAMP:20260409T120551
CREATED:20200831T190818Z
LAST-MODIFIED:20200909T201607Z
UID:4272-1523129400-1523138400@thefusefactory.org
SUMMARY:Perfomance: DREKKA (IN) + Timber Rattle (IN) + Dr. Zapata (CMH)
DESCRIPTION:On Saturday\, April 7 we are proud to present experimental electronic musician/composer DREKKA\, experimental electronic musician Timber Rattle\, and music producer Dr. Zapata (CMH). Doors 7:30pm\, all ages. $5-$10\, BYOB. \nAbout the performers:\nWorking under the name DREKKA since 1996\, composer Michael Anderson has toured\, traveled\, and collaborated extensively; collecting memories and building a very personal archive of sound that dates back to the mid-1980’s. \nDREKKA has released a large body of work on labels such as Dais\, Auris Apothecary\, Morc\, Silber\, and Anderson’s own label\, Bluesanct. Anderson has also recorded and toured as a member of such as projects as Turn Pale\, Jessica Bailiff\, In Gowan Ring\, Stone Breath\, Annelies Monseré\, Rivulets\, and Dylan Ettinger. DREKKA owes something to the soundscapes and non-linear impressionism of Cindytalk or COIL\, the industrial gravity of Einstürzende Neubauten or Hafler Trio\, and the cinematic collaborations of Edward Artemiev/Andrei Tarkovsky or Simon Fisher Turner/Derek Jarman. But his work is very apparently unique and personal. \nThroughout years of performing and recording\, DREKKA has explored early industrial tape culture\, fragile bedroom noise-folk\, and expansive cinematic textures. His work and performances touch on themes of silence\, memory\, and forgetfulness. But rather than obscure himself\, as is so often the effect of experimental music\, DREKKA functions as a direct line into Anderson’s mind and his tenuous cache of memories. These personal aspects and this fragility are clearly on display\, rather than being obfuscated by poetic abstractions. While “haunting” and “hypnogogic” are words often used to describe experimental music and art\, DREKKA unequivocally occupies and deals in those dark spaces which comprise the tenuous province of memory and dreams. Those are the real ghosts of time and sound. But just as prominent\, particularly in the live setting\, is a sort of confrontation; a wrestling with frenetic energy that approaches mania or ecstasy. Just as DREKKA’s recordings serve not to obscure but to exhibit Michael Anderson’s mind\, his performances serve to exhibit his person\, his body. DREKKA’s audiences behold not an anonymous face in the glow of a laptop\, but a man riding his flimsy card table strewn with tape players\, bells\, trinkets\, metal\, and pedals. They behold a man’s spirit riding him\, contact microphone in mouth\, hands shifting cassettes collected over time and distance. DREKKA’s audiences behold a confrontation of spirit\, body\, memory\, and sound. \nTIMBER RATTLE is a kind of “pyche-pastoral” hymnal which seems to be as informed by noise shows in west coast basements or the revolutionary spirit of poet Jean Genet as it is by a panoply of North American landscapes\, such as the Blue Ridge Mountains of southern Virginia\, where its members grew up. It is spatially both vast and intimately spiritual\, seeking to create a reflective space within which to contemplate an individual and mutual encounter with nature; with the mountains\, the forests\, the deserts\, the oceans… and the phantoms of experience and memory that haunt us in these places. While never straying too far from a pastoral/folk sound that celebrates the environment and the arcane wild that surrounds us\, the music also incorporates primordial elements of drone and psyche experimentation which focus on an intuitive exploration of tone\, pattern\, scale\, and palette. Lyrically\, the layers of harmonies present a willful abstration on the relationships between land and bodies and life and death and magic and language and ritual and myth and space and cycles and animals and plants and food and poison… the sound and the shape of the words being equally important to any ‘meaning’ discerned from the lyrics. A cohesive and quintessential offering\, ‘Phantoms of Place’ is a meditation on physical space\, place and tradition\, and an exploration of the meaning of being human in the garment of living nature. \nUnlike the typical bio you have read before\, Dr. Zapata did not start showing off his musical talents when he was still a fetus\, he did not get his first piece of equipment when he was in pre-k\, he is not the son of a recognized musician\, he did not get influenced at an early age by a prodigious artist. Dr. Zapata’s introduction to music was painful and dull. He developed a fairly irrelevant musical taste\, comprised basically by the commercial material that were floating around on the radio waves with further reinforcement by close friends with similarly irrelevant musical taste. Several years passed until one night\, in the middle of a dance floor in a crowded club\, he felt for the first time the sound\, the lights and the vibrations on the floor generated by a talented DJ. From that day\, all changed\, up to his incursion as a producer. Dr. Zapata’s tracks are composed to challenge listeners\, genre is optional.
URL:https://thefusefactory.org/event/performance-drekka-timber-rattle-dr-zapata/
LOCATION:The Fuse Factory Electronic and Digital Arts Lab\, 13 E. Tulane Rd.\, Columbus\, OH\, 43202\, United States
CATEGORIES:Performance
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DTSTART;TZID=America/New_York:20180413T190000
DTEND;TZID=America/New_York:20180413T220000
DTSTAMP:20260409T120551
CREATED:20200831T190816Z
LAST-MODIFIED:20200909T202548Z
UID:4263-1523646000-1523656800@thefusefactory.org
SUMMARY:Performance: Benjamin Miller (NYC) + Fatal Gaze (CMH) + Lilith Grace (CMH)
DESCRIPTION:On Friday\, April 13th we are proud to present experimental musician/composer/performance artist Benjamin Miller\, experimental electronic musicians David Reed and Ty Owen’s duo project Fatal Gaze\, and microtonal avant-goth musician Lilith Grace. Doors 7:30pm\, admission $5-$10. BYOB\, all ages. \nAbout the performers:\nBen Miller is an American rock and avant garde guitarist born and raised in Ann Arbor\, Michigan\, and now based in the NYC-metro area. He has formerly been a member of such Detroit/Ann Arbor bands as Sproton Layer\, Destroy All Monsters\, and non-fiction. Destroy All Monsters\, in particular\, still a cult favorite\, was a big part of the proto-punk\, punk\, and post-punk Detroit rock scene\, featuring such bands as the MC5\, the Stooges\, Sonic’s Rendezvous Band\, and Up. Currently Miller performs solo with his self-deconstructed multiphonic guitar and conducts / composes for NYC’s Sensorium Saxophone Orchestra. \nColumbus experimentalists David Reed and Ty Owen bring their decades of solo experiments together for the first time as Fatal Gaze. Combining analog synthesis and computer based sound manipulations Fatal Gaze projects an enveloping field of dark lingering gloom inspired by horror films\, music concrete\, and the anxiety of the modern world.
URL:https://thefusefactory.org/event/performance-benjamin-miller-fatal-gaze-lilith-grace/
LOCATION:The Fuse Factory Electronic and Digital Arts Lab\, 13 E. Tulane Rd.\, Columbus\, OH\, 43202\, United States
CATEGORIES:Performance
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180414T100000
DTEND;TZID=America/New_York:20180414T130000
DTSTAMP:20260409T120551
CREATED:20200831T190816Z
LAST-MODIFIED:20200909T202354Z
UID:4264-1523700000-1523710800@thefusefactory.org
SUMMARY:Workshop: Graphic Scores and Found Sound
DESCRIPTION:In the workshop\, composer-musician Benjamin Miller will lead participants in an immersive experience in which they are invited to explore the possibilities of images as conductors of sound\, and sound as a compositional tool for images. This workshop is open to all! \nMiller will provide old-school technologies such as analog tape loops and a Casio SK1 sampler to capture found sound in real-time. In addition to this\, participants will be encouraged to use paper\, plastic\, junk metal\, voice\, found items on location\, transistor radio\, analog synthesizer\, vinyl records\, homemade instruments – anything! – as source material to compose from. \nWhile listening to compositions generated by Miller in real time utilizing the aforementioned found sound materials\, participants will create their graphic scores with paint and paper. These graphic scores will show how signs and symbols can be used to represent sounds\, textures and various kinds of sonic events. Participants will then be given the opportunity to collaborate and interpret\, perform\, and record each other’s scores. Recordings will be made available to all participants. \nAbout the Instructor\nBen Miller is an American rock and avant garde guitarist born and raised in Ann Arbor\, Michigan\, and now based in the NYC-metro area. He has formerly been a member of such Detroit/Ann Arbor bands as Sproton Layer\, Destroy All Monsters\,[1] and non-fiction. Destroy All Monsters\, in particular\, still a cult favorite\, was a big part of the proto-punk\, punk\, and post-punk Detroit rock scene\, featuring such bands as the MC5\, the Stooges\, Sonic’s Rendezvous Band\, and Up. Currently Miller performs solo with his self-deconstructed multiphonic guitar (picture) and conducts / composes for NYC’s Sensorium Saxophone Orchestra.
URL:https://thefusefactory.org/event/workshop-graphic-scores-and-found-sound/
LOCATION:The Fuse Factory Electronic and Digital Arts Lab\, 13 E. Tulane Rd.\, Columbus\, OH\, 43202\, United States
CATEGORIES:Workshop
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DTSTART;TZID=America/New_York:20180414T140000
DTEND;TZID=America/New_York:20180414T160000
DTSTAMP:20260409T120551
CREATED:20200831T190814Z
LAST-MODIFIED:20200909T202217Z
UID:4255-1523714400-1523721600@thefusefactory.org
SUMMARY:Intro to Bacteria as Art
DESCRIPTION:Back by popular demand! Art and microbiology come together in this fun\, unique hands-on workshop\, held in partnership with Cap City Biohackers. Participants will use color-producing microbes to create a ‘living’ work of art. They will learn about 4 pigmented bacteria\, Micrococcus luteus (yellow)\, Rhodococcus rhodochrous (pink)\, Sarcina aurantiaca(orange-yellow)\, and Rhodospirillum rubrum (purple) and will have the opportunity to “draw” with them on a petri dish. Attendees will learn to culture non-pathogenic\, naturally colorful bacteria\, then “paint” these bacteria onto agar plates in their own designs. Traditional scientific techniques for growing bacteria will be demonstrated. As the bacteria multiply\, creations literally come to life over time. This course uses the visual arts as a vehicle to introduce STEM concepts such as the bacterial growth cycle\, sterile culture technique\, and protein synthesis. Participants will experience a new artistic medium while bringing a concreteness to subcellular mechanisms that are often abstractly presented. This workshop is suitable for kids aged 12+ and adults. \nThis workshop is being held in partnership with the Cultural Arts Center as part of the exhibition “Hypothesis”. \nAbout the Instructors\nDr. Jessica Fleming\, co-founder of Cap City Biohackers\, is a postdoctoral researcher with the Ohio State University Medical Center\, where she earned her doctorate in Molecular Genetics. She is currently focused on identifying prognostic and predictive molecular biomarkers in CNS tumors. \nDr. David Taffany\, co-founder of Cap City Biohackers\, is a project manager for Fuse Health. He received his doctorate in Molecular Genetics from the Ohio State University.
URL:https://thefusefactory.org/event/intro-to-bacteria-as-art/
LOCATION:Cultural Arts Center\, 139 W. Main St.\, Columbus\, OH\, United States
CATEGORIES:Workshop
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180420T193000
DTEND;TZID=America/New_York:20180420T220000
DTSTAMP:20260409T120551
CREATED:20200831T190815Z
LAST-MODIFIED:20200909T202132Z
UID:4261-1524252600-1524261600@thefusefactory.org
SUMMARY:Performance: Thollem (NM) + Sound Trash (CMH) + LA Jenkins/Stop By Fear (CMH)
DESCRIPTION:On the evening of Friday\, April 20th\, we are proud to present keyboardist/songwriter Thollem\, who will perform his newest work Technicolor Grey Zone\, featuring the films of Martha Colburn\, ACVilla and Tuia Cherici. Joining Thollem on the bill is Caleb Miller and Nick Weckman’s free jazz project Sun Trash (CMH) and jazz improv trio Stop By Fear. Doors 7:30pm\, admission $5-$10. BYOB\, all ages. \nAbout Technicolor Grey Zone is a multimedia collaboration between Thollem and the films and video art of Martha Colburn (U.S./Holland)\, Tuia Cherici (Italy/France) and ACVilla (U.S.). TGZ is a powerful\, responsive and unforgettable show pairing Thollem’s live electric score with Colburn’s stop-motion history of all of America’s wars in 10 minutes\, Cherici’s wonder-inducing hand-built social commentaries\, and ACVilla’s meditations on the present moment. \nThollem has worked with each of these artists on various projects throughout North America and Europe including Maxxi Museum (Rome)\, University of Illinois\, Philadelphia Museum of Art\, New Museum\, SF MOMA\, Crowley Theater\, San Diego Institute of Art\, Crystal Bridges\, Toledo Museum of Art\, Trinosophes\, Pioneer Works\, Northwest Film Forum\, SITE Santa Fe\, Sundance\, Rotterdam Film Festival and more. \nAbout the performers:\nThollem is a pianist\, keyboardist\, composer\, improviser\, singer-songwriter\, activist\, author and teacher. He’s spent his life skirting and erasing the edges of boundaries musically\, culturally\, geographically. His work is ever changing\, evolving and responding to the times and his experiences\, both as a soloist and in collaboration with hundreds of artists across idioms and disciplines. Though Thollem’s widely known as an acoustic piano player\, he’s also the lead vocalist for the Italian agit-punk band Tsigoti and has recently branched out significantly into the world of electronics through a multitude of projects. \nSun Trash is a free music/ friendship duo of Nick Weckman (clarinet\, trombone\, voice\, loops\, uke\, trash) and Caleb Miller (sax\, MS-20\, keys\, clarinet\, laptop\, trash) based in Columbus\, OH. They simply strive to make something together. \nStop by Fear is the unique collaboration between creative artists that share a love for adventurous musical styling and sounds. They have come together in anticipation of adding their voice to the universal cacophony of that very special music that generations have loved. The quintessential marriage of new music in the genre of modern jazz/free improvisation\, jazz rock\, ambient\, experimental and the avant-garde\, funk jazz music and Neo soul/R&B. \nThe main locomotive engine of this collective is L.A. Jenkins\, a modern jazz guitarist/ composer; L.A. has many musical styles and interests and his art and creativity is on display in this presentation. His relaxed approach to his art is always about the music and the collaboration he forges with other like minded musicians.
URL:https://thefusefactory.org/event/performance-thollem/
LOCATION:The Fuse Factory Electronic and Digital Arts Lab\, 13 E. Tulane Rd.\, Columbus\, OH\, 43202\, United States
CATEGORIES:Performance
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180421T100000
DTEND;TZID=America/New_York:20180421T130000
DTSTAMP:20260409T120551
CREATED:20200831T190816Z
LAST-MODIFIED:20200909T202012Z
UID:4262-1524304800-1524315600@thefusefactory.org
SUMMARY:Listening workshop with Thollem McDonas
DESCRIPTION:Thollem’s listening workshops are open to anyone interested in deepening their experience with sound. The workshops equally beneficial and enlightening to both musicians and those who have never played an instrument. The workshop helps develop listening skills to wake us up to the infinite variety of sounds around us as well as to deepen one’s relationship with music as a listener as well as a creator. Thollem utilizes an analog synthesizer to identify the basic building blocks of sound as well as the complexities of texture and qualities of sound (timbre). He will also touch upon the physics of sound\, acoustical properties\, the workings of the listening apparatus\, evolution of hearing\, the hearing of other creatures with or without ears. Participants will explore the elements that define differences of sound and our perception of them. \nAbout the Instructor\nThollem grew up in the San Francisco Bay Area\, the son of a dedicated piano teacher. He began teaching private and group piano and theory lessons when he was 13 years old. Over the years\, as a teacher\, Thollem has worked with musicians and non-musicians alike in a wide variety of approaches and techniques through private lessons and large ensembles\, in music conservatories\, high school concert bands\, with developmentally disabled adults and children\, the incarcerated\, the elderly\, youth symphonies and chamber ensembles. He has been traveling perpetually for years working within communities throughout North America and Europe\, collaborating with a wide array of musicians\, dancers\, filmmakers\, writers\, poets\, and painters.
URL:https://thefusefactory.org/event/listening-workshop-thollem-mcdonas/
LOCATION:The Fuse Factory Electronic and Digital Arts Lab\, 13 E. Tulane Rd.\, Columbus\, OH\, 43202\, United States
CATEGORIES:Workshop
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180504T200000
DTEND;TZID=America/New_York:20180504T230000
DTSTAMP:20260409T120551
CREATED:20200831T190818Z
LAST-MODIFIED:20200909T201410Z
UID:4273-1525464000-1525474800@thefusefactory.org
SUMMARY:May 2018 Frequency Fridays: MV Carbon (NYC) + Lisa Miralia (CLE) + Robert Turman (OH) + Unquiet Slumbers (CMH)
DESCRIPTION:Our May 2018 Frequency Fridays show features interdisciplinary artist/musician MV Carbon (NYC)\, experimental electronic musician Lisa Miralia (CLE)\, experimental electronic musician Robert Turman (OH)\, and experimental electronic musicians Brian Werstler (guitar\, electronics) and Nathan Andrew-Leaflight (harp\, electronics) duo project Unquiet Slumbers. Date: Friday\, May 4 2018. Location: It Looks Like It’s Open (13 E. Tulane Rd.\, 43202). Admission: $10\, $15 for 2. Doors open 8pm. BYOB\, all ages. Our Frequency Fridays 2017-2018 season is supported by grants from the Greater Columbus Arts Council\, the Ohio Arts Council\, and the National Endowment for the Arts. \nAbout the performers:\nMV Carbon is a Brooklyn based inter-disciplinary artist\, and musician Her work encompasses live performance\, sound\, video\, film\, sculpture\, recorded music\, and multi-media installation. She gathers field recordings and uses them to re-create sonic environments. She also creates sound with hand built instruments\, electric cello\, amplified objects\, circuits\, synthesizers\, reel to reel tape machines\, and voice. Her work explores interchangeability\, electronic intelligence\, the human mechanism\, perceptive states of consciousness\, and the empirical force of nature. She is interested in the psychological effect of sound and works to heighten our potential for “hearing” through spatial\, psychic\, and temporal based explorations. \nCarbon is currently part of music ensembles HEVM\, and Metalux. Past collaborations include Aki Onda\, Azita Youssefi\, C. Spencer Yeh\, Charlemagne Palestine\, Evan Parker\, Lesley Flanigan\, Maria Chavez\, Mario Diaz de Leon\, Okkyung Lee\, Richard Garet\, Shelley Hirsch\, Tony Conrad\, Tristan Perich Wolf Eyes\, and Zach Layton. She co-founded West Nile\, a DIY performance space in Brooklyn from 2006-2012\, which hosted sound artists spanning the world. She has done residencies at Q-02 (BR)\, EMS (SE)\, Issue Project Room (NY)\, The Clocktower Gallery (NY)\, and Roulette\, (NY). She has composed work for The String Orchestra of Brooklyn. \nLisa Miralia has been a promoter and performer in the NE Ohio freeform and experimental sound communities since 2003. She composes for and performs in a number of projects both solo (as Baat) and in collaboration with others involving electro-acoustic improv\, experimental electronics\, noise\, drone\, and dark ambient sound\, and has released several recordings and contributed to multiple collaboration and compilation releases. She will celebrate her 7th anniversary of hosting the Mysterious Black Box radio show on WCSB 89.3fm this year\, and was featured in the City/Ruins documentary about the NE Ohio noise and industrial music scenes. Lisa lives in Lakewood\, and is grateful for open-minded neighbors who don’t mind the strange musical and anti-musical sounds emanating from her abode. \nRobert Turman is an experimental/noise musician who was originally based in San Diego\, and now resides in Oberlin\, Ohio. He first rose to prominence as part of NON\, collaborating with Boyd Rice on the classic 1977 single ‘Mode of Infection’/’Knife Ladder’\, before leaving to pursue his own more expansive solo vision. \nUnquiet Slumbers is a collaboration between Nathan Leaflight (Shred Van Winkle) and Brian Werstler (Young Herkimer\, Abgyhr). Every show is entirely improvised and usually has a guest musician.
URL:https://thefusefactory.org/event/may-2018-frequency-fridays/
LOCATION:The Fuse Factory Electronic and Digital Arts Lab\, 13 E. Tulane Rd.\, Columbus\, OH\, 43202\, United States
CATEGORIES:Frequency Fridays,Performance
END:VEVENT
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