Annual Exhibition 2019 Call for Entries
September 09, 2019 - October 10, 2019

Deadline: October 10, 2019

We are pleased to announce our Call for Entries for the Annual Juried Exhibition 2019: TechnoMEME 2. Our juried exhibition features work created with technology-based new media, electronic, and digital tools. Our upcoming exhibition will run from Friday, November 1st to Saturday, December 7th at the Cultural Arts Center, Columbus Ohio.


TechnoMEME is the theme of Fuse Factory Annual Exhibitions (FFE) in 2018 and 2019. Following the successful invitational exhibition last year, FFE 2019 continually searches for other artists’ creative interpretations of this theme. Since the concept of evolutionary biologist Richard Dawkins’ ‘Meme’, which considered cultural transmissions and imitations as phenomena of self-replication for being an effective propagator of genes according to his book The Selfish Gene (1976), the ambiguous and metaphorical idea from its theoretical beginning has unintentionally morphed into new viral phenomena, such as the trend of the ‘Internet meme’ within online media culture. For this year’s theme, the Fuse Factory looks back at Dawkins’ original term and reviews the usefulness of a meme’s imitation, transmission, retention, and mutation that can be applied and utilized in contemporary art, technology, and culture.

FFE 2019 is considering how new media art translates the ongoing technological phenomena of replication, imitation, variation, reproduction, and mutation responding to technological evolution at the nexus of digital culture. In addition to being the second season of TechnoMEME, FFE 2019 views artistic possibilities of technological and biological matters and platforms that create cultural and behavioral practice as ‘human-nonhuman-meme’, which can be enabled to transmit and replicate between human scientific endeavors and nature. Here is one of many references although this case is a very rare type of animal behaviors and abilities responding human culture. The rhythmic cockatoo Snowball’s spontaneous reactions and humanlike dance would enable us to rethink about human uniqueness and appreciation of nonhuman others.

These artistic explorations can operate as correlative phenomena for intercommunications and interrelationships rather than reinforcing anthropomorphic consciousness and humanized one-way relationships. We seek to include artworks that examine the following:

  • How could we as artists imagine how imitable human consciousness, intelligence, and behavior can connect on par with nonhuman nature and vice versa, or in terms of interspecies?
  • How can we as artists imagine humans as social, cultural, and biological entities, and technological propagators, which can increase understanding of nonhuman others?
  • Moreover, based on the assumption of Dawkins’ claim, the gene-centered view of evolution, how can human genes and memes be transmitted into technological hosts, “surviving machines” and “vehicles”, for leaping from human into hybrids, and surpassing conventional parameters of human nature?
  • How could we sustain humanity?

Here is the list of keywords regarding the theme of FFE2019 – TechnoMEME 2:
– Transmission, imitation, replication, variation, mutation, reproduction, propagator, selfish vs. altruistic, compatibility, co-creation, intercommunication, interrelationship, multispecies, trans-species, interspecies, humanized vs. dehumanized, symbiosis, evolution, technoculture…


The Fuse Factory Art and Technology Lab encourages all artists, inventors, and scientists working with a wide range of high and low technologies to submit works that fall within the following genres: electronic art; interactive installation and interfaces; robotic art; live performance; 3D modeling and animation; art games; virtual and augmented reality; experimental video and moving images; video mapping; digital imaging; sound art; Internet art; creative coding; biological art; eco-art; and other emerging forms not mentioned here. We will also consider traditional forms of art and film, provided that they also explore the exhibition theme.

Both U.S.-based and international applicants are encouraged to submit entries. If you are an international applicant and your work is composed of physical components and/or physical installations that require an international delivery cost, the jurors will need to take this into consideration when evaluating your artwork for inclusion in the exhibition. While we will do what we can, we cannot guarantee that we can cover your shipping costs if your work is accepted. Please feel free to contact our Executive Director, Alison Colman, at if you have any questions or concerns.

  • Artworks that were produced before 2017 will not be considered.
  • Selected artwork must be exhibited during the full month-long exhibition period. However, performative artwork will be scheduled to occur at a specific time and place during the exhibition.


Applicants are required to submit the following:

  • Email your application materials to and include “FFE 2019 APPLICATION_your name” in the subject line.
  • 3-5 images (website links only)
  • Video links (3-minutes-or-less video highlights on YouTube or Vimeo. If your application videos exist on private channels, please include passwords so jurors can access your links)
  • Short art statement (300-500 words, .pdf file) describing what you propose to exhibit and how your artwork fits within to the exhibition theme
  • CV
  • One-page (.pdf file) document specifying your installation requirements and dimensions, and other technical requests
  • Contact details (email, phone, website)


  • Application deadline: Monday, September 30th
  • Notify artists: Saturday, October 5th
  • Announcement for lineup: Monday, October 7th
  • Installation: Wednesday, October 30th – Thursday, October 31st
  • Exhibition duration: Friday, November 1st – Saturday, December 7th
  • Opening Reception: Friday, November 8th
  • De-installation and Art pick-up: Saturday, December 7th
  • NOTE: The Fuse Factory may be able to partially reimburse a limited number of artists (on a case-by-case basis) for the shipping costs they incur by participating in the exhibition. Please contact us to discuss about the supports.


  • There is no entry fee, but we will gratefully accept donations.
  • The Fuse Factory is a not-for-profit art 501c3 organization, and all of our programming is made possible by grants, sponsorships, and donations.
  • PayPal donations can be made to


  • Tyler Cann – Curator of Contemporary Art at Columbus Museum of Art
  • Amy Youngs – New media artist/Associate professor of Art & Technology, The Ohio State University
  • Doo-Sung Yoo – New media artist/Senior Lecturer of Art & Technology, The Ohio State University


  • The Puffin West Foundation
  • Cultural Arts Center, Columbus Ohio

For additional information and questions regarding the exhibition application and workshops, please send us an email to We are also on Facebook. For additional information regarding the gallery space of Cultural Arts Center, please visit or contact

The Science of Sound: Introduction to the Physics and Mathematics of Music
September 25, 2019

About the workshop
This workshop, which is the first in our Science of Sound series, will provide a high-level overview of the physics and mathematics of musical sound. We will explore the physical phenomena of sound waves and how these waves are captured and interpreted by the human auditory system. We will examine, moreover, how these principles help us understand how acoustic and electronic musical instruments work. Finally, we will look at some of the mathematical structures that underly traditional Western and many non-Western scales and harmonic systems.

Though a basic familiarity with musical notation and elementary mathematics will be helpful for some of the more advanced topics, every participant, regardless of background, will find something of value in the course. The instructor will illustrate the underlying physical and mathematical principles of sound using computer animation, sound synthesis, and live acoustic musical instruments.

The following topics will be covered:

  • Sound, vibration, and waves
  • Some characteristics of sound waves (frequency and pitch, amplitude and intensity)
  • The human auditory system (ear anatomy, the brain and the subjective experience of sound)
  • The behavior of sound waves (sound wave interaction: interference and beats, acoustics)
  • Musical Instruments (systems of pitch manipulation, timbre and harmonics, introduction to the principles of musical sound synthesis)
  • Musical intervals as integer ratios (just intervals, consonance and dissonance)
  • How to build a scale (Pythagoras and just interval scales, equal temperament)

About the Science of Sound workshop series
The primary purposes of this series is to provide introductory-level, hands-on instruction in electronic music making over a range of approaches and to demystify electronic music and electronic music composition. This workshop series is not centered around learning specific technologies or electronic music generating equipment as such, or learning the newest technologies for their own sake; instead, they will learn how to learn new tools. Particular technologies and applications introduced in the series will play a supporting role in teaching participants the fundamentals of sound and the physics of sound as it pertains to experimental and electronic music making.

This workshop series is divided into four sections covering the various approaches contemporary electronic musicians and composers take regarding the technologies they prefer to utilize:

  • Fundamentals of physics, mathematics and music
  • Using the iPad to make music
  • Introduction to coding and open source computer applications
  • Exploring electronic music equipment and gear (pedals, controllers, field recording equipment, etc.)

This workshop series is supported by an Arts Partnership grant from the Ohio Arts Council.

About the Instructor
Michael Perkins, Ph.D. is a technologist, musician and philosopher with special interests in discrete mathematics, data science, and algorithmic music and art. He is a graduate of Georgia State University where he studied music and philosophy and The Ohio State University where he studied philosophy and computer science. He completed a Ph.D. in Philosophy at The Ohio State University in 1983. For 35 years, Michael has developed advanced software systems for some of the world’s leading software vendors. He has designed and implemented special-purpose programming languages, data management tools, application generators, cross-platform networking software, and IT systems management software.

Workshop fees
To reserve a seat in the workshop, please register using the link below:

Physics and Mathematics of Music
Physics and Mathematics of Music
Registration for one kit